While on vacation, I tend to read other people’s books, rather than (or in addition to) the ones I actually brought with me. Some quick notes:
Modern Art and the Death of a Culture – Hans Rookmaker, 1970
Rookmaker examines the explicit messages and implicit worldviews conveyed by painting in different styles. He also explores connections between artists’ expressed philosophy and their work. The latter is the most successful theme in the work, although I suspect that by focusing on artists he overstates the degree to which modernist etc. ideas were minority and even “hidden” opinions before mass media. The power of his thesis is hampered by two things: first, although he recognizes the focuses created by iconography and devotional art his defense of them as a Protestant is at best half-hearted; and second, he seems to me to have little love for his own Dutch tradition, suspecting it of already transitioning towards the modernity he distrusts. As a result he does not quite appear to have a role to give to beauty.
The Renaissance of the Twelfth Century – Charles Haskins, 1927
Haskins’ work gives an overview of learning in the twelfth century. He details works made newly available in Europe through contact with the Byzantines, Arabs, and Moors, as well as outlining developments in education from monastery and cathedral schools and court establishments to the initial stages of the recognizeable university. Appears to be one of the earlier attempts to correct perceptions of the “backward” Middle Ages and extended “Dark Ages”.
Historians Fallacies: Towards a Logic of Historical Thought – David Fischer, 1970
Fisher theorizes that good arguments about history follow a logical structure, albeit one not (fully) captured by formal logics as developed for strictly verbal or mathematical proofs. This work attempts to discover those rules by illustrating failures of argument, organized around several themes. When it comes to stating theses, finding and analyzing data, and organizing formal arguments (as appropriate), it’s a very useful resourse. Fischer is a little hindered by his rejection of relativism while refusing to set a firm standard himself. He insists in introducing the work that he is interested in “fallacy” primarily in form and that the primary responsibility of a historian is to make his working premises clear – but later rejects several common and plausible sets of premises, mostly having to do with relating history to moral judgment, as themselves fallacious.
King Solomon’s Mines – H. Rider Haggard, 1885
Probably the best known of Haggard’s books, at least in part due to the number of film adaptations. Also looks to me like an inspiration for significant parts of Indiana Jones and the Temple of Doom. A decent thriller marred for current reading by subservience to the racial theories of the day, it seems to me that its actual literary value will be difficult to judge without significantly more cultural distance from those particular errors. It’s worth noting that Haggard clearly felt something was wrong with the scheme, but also wasn’t going to challenge it: he uses “Negro” only a few times and explicitly rejects ruder forms, prefering descriptions of individuals to stereotypes (though ironically one suspects the success of this work set a few); and includes an African love interest for an English gentleman – though ultimately kills her (not him) off complete with a monologue about how it wouldn’t work out.